Ned Rorem

Ned Rorem is one of America's most celebrated composers, known for his lyrical and expressive style, especially when it comes to piano music. Born on October 23, 1923, in Richmond, Indiana, Rorem grew up in a household filled with music. His early exposure to classical music came from his mother, who was a pianist, and his father, who was a violinist. But it was during his time at the Curtis Institute of Music in Philadelphia, where he studied under the tutelage of composer and teacher Vincent Persichetti, that Rorem’s musical voice began to truly form.

Rorem’s piano compositions are a hallmark of his career, revealing his deep sensitivity to texture, color, and emotion. He didn’t shy away from exploring complex harmonic landscapes while always maintaining a sense of accessibility. His piano works are rich with lush melodies and an almost conversational fluidity that can range from introspective to exhilarating.

One of his most well-known works for the piano is Piano Sonata No. 2 (1945), a piece that exemplifies his ability to balance technical precision with deep musical expression. It showcases his knack for shaping tension and release, while also hinting at his influences, which include both French impressionism and American modernism.

Another notable work is Seven Pianos (1974), a set of short, evocative pieces that are at once playful and poignant. It’s a great example of Rorem’s talent for creating atmosphere and capturing fleeting moments in music. Many of his piano pieces have a delicate, almost fragile quality that gives them a distinct character, making them stand out in the 20th-century American piano repertoire.

Throughout his career, Rorem was also active as a diarist, documenting his thoughts about music, life, and his experiences in the world. His writings and his music often reveal a keen sense of observation, with a focus on relationships and emotions, which is also evident in his piano compositions.

Rorem’s works are celebrated for their expressive depth and clarity, with a focus on crafting accessible yet sophisticated pieces. While he was not as commercially known as some of his contemporaries, his contributions to the piano repertoire have left a lasting mark, and his music continues to be performed and admired by pianists around the world.

In short, Ned Rorem’s piano music is a beautiful reflection of his personality: graceful, contemplative, and emotionally resonant. His works capture a wide range of human experience, from the deeply personal to the universal, and remain a vital part of American classical music.

Ned Rorem’s Two Barcarolles for Piano, composed in 1965, are a pair of beautiful and evocative pieces that reflect his deep sensitivity to both sound and atmosphere. A barcarolle, traditionally a Venetian boat song, is characterized by a gentle, lilting rhythm that mimics the rocking of a boat on water. Rorem’s two barcarolles, though rooted in this tradition, go beyond mere imitation of the form. They are, in fact, more focused on mood and texture than on any narrative depiction of a boat journey.

The first of the two barcarolles is a delicate, almost dreamy piece. It unfolds with a flowing, repetitive rhythm in the left hand, evoking the rocking motion of the boat, while the right hand weaves a calm, yet expressive melody. The piece is marked by Rorem's characteristic use of lush harmonies and subtle dynamic changes. The overall feel is reflective and introspective, with a sense of ease and serenity.

The second barcarolle is a little more animated and rhythmic, though still maintaining the signature gentle rocking movement. Here, Rorem’s approach is more playful and colorful. The use of syncopation and shifting dynamics adds a sense of variety, but the atmosphere remains calm and fluid, with the rocking motion being an ever-present undercurrent.

Both works reflect Rorem’s skill at creating rich textures within seemingly simple frameworks. Though they may evoke the imagery of water or a boat ride, the pieces are more about the internal experience of motion, and the emotional response to that motion, rather than an external narrative. The Two Barcarolles for Piano are an excellent example of Rorem’s ability to combine accessibility with depth, making them both enjoyable for performers and deeply expressive for listeners.

Ned Rorem, the acclaimed American composer, passed away on November 18, 2023, at the age of 100. He died in his home in New York City. Throughout his long life, Rorem had a profound impact on American classical music, and his works remain central to the canon of 20th-century music. Despite his death, his compositions, including his piano pieces, art songs, and orchestral works, will continue to be an important part of the musical world.

Selected Performances

Barcarolle #1 - The Barcarolle, a type of Venetian boat song typically associated with the rhythmic lilt of rowing, was a beloved genre during the 19th century, particularly in the music of composers like Offenbach and Chopin. Rorem's Barcarolle No. 1 retains the gentle, rocking motion of its predecessors but is infused with a distinctly modern sensibility.

The work, composed in 1949, is delicately orchestrated, built on a series of fluid, cascading figures that suggest the rippling of water. The piano part, often marked by flowing, repeated ostinatos, mimics the gentle sway of a gondola gliding through the canals of Venice. This recurring pulse provides the foundation for the long, arching lines of the melody, which is both languid and expressive, capturing the sense of longing and tranquility inherent in the barcarolle form.

Despite its simplicity on the surface, the Barcarolle No. 1 is full of sophisticated harmonic shifts and subtle dissonances, demonstrating Rorem's ability to manipulate tonality while still maintaining a strong sense of melody. The piece moves seamlessly between major and minor modes, often lingering in a way that evokes both melancholy and serenity.

---

Piano Sonata No. 1, III. Toccata - The third movement of Ned Rorem’s Piano Sonata No. 1, titled Toccata, bursts forth with the sharp clarity and rhythmic electricity characteristic of the form—but it is Rorem’s voice, unmistakably lyrical even in the percussive idiom, that commands attention. Composed in 1948 during his Paris years, this final movement reveals the young composer’s early mastery of gesture, pacing, and a uniquely American musical dialect forged in the crucible of French neoclassicism.

True to its Baroque namesake, the Toccata is a display of fingerwork and rhythmic vigor. Yet Rorem eschews mere virtuosity in favor of a tightly coiled musical logic, threading angular motifs through a restless architecture. The writing is crisp and relentless, yet never mechanical; syncopations dance with wit, and even the most motoric passages seem to breathe, animated by an inner grace. One hears echoes of Ravel’s crystalline textures and Poulenc’s urbane charm, but filtered through an American lens—dry humor, directness, and a refusal to sentimentalize.

---

99 Notes to the Millennium - Composed in 1999, Ned Rorem's 99 Notes for the Millennium is a succinct yet evocative solo piano piece, lasting approximately one minute. Dedicated "For Ben Yarmolinsky and the Friends and Enemies of Modern Music," this work reflects Rorem's characteristic wit and introspection as the 20th century drew to a close. ​

Despite its brevity, the composition encapsulates a range of emotions and musical ideas, showcasing Rorem's mastery in conveying depth within a concise framework. This piece is part of Rorem's Piano Album I, a collection that includes other similarly brief and thoughtfully crafted works, such as 60 Notes for Judy and 77 Notes for Rosemary. ​

Locating The Music

Much of Ned Rorem's piano output can be purchased at Sheet Music Plus.

Compositions for Piano

Sonata #1 (1948)

A Quiet Afternoon (1948)

Barcarolles (1949)

Sonata No. 2 (1949)

Sonata #3 (1954)

Eight Etudes (1975)

Song and Dance (1986)

99 Notes for the Millennium (1999)

For Ben (1999)

Recalling (2003)

Soundpoints (2003)

For Barbara (2006)

For Don (2006)

For Marian (2006)

For Mary (2006)

For Rosemary (2006)

75 Notes for Jerry (2007)